Way back in the Paleolithic age of computing, otherwise know as the 1980s, there was an earthquake in the publishing world. The convergence of Apples Macintosh computer, personal laser printers that used Adobes PostScript printer language and Aldus PageMaker meant that the world of the printed page would never be the same. PageMaker, now owned by Adobe, lost a lot of ground in the 90s to an upstart page layout program, QuarkXpress from Denver-based Quark, Inc. Adobe countered back with the well-received InDesign, but now the long-awaited Quark 6 has been released.
First, the basics. A page layout program is used to assemble and format the component parts that go into any printed page. This means getting the text, photographs, illustrations, typestyles and any other pieces, positioning them on the page, assigning colors and other properties and then ensuring that the layout will then be able to be printed correctly. The best of these type of programs give you a lot of tools to deal with common situations that come up
missing images, letters spaced slightly too far apart, wrapping text artistically around an image. This sort of miniscule control has always been Quarks strong suite.
Quark 6 will feel very familiar to users of previous versions; it maintains its sleek, minimalist interface, while adding a raft of new features. The most impressive of these is the new Layout Spaces, which allow you to have one QuarkXpress document containing different layouts of the same design for different applications. You can have one layout for your brochure layout, another for the company web page and yet another for a billboard advertisement. Quark allows you to synchronize the text between layouts so that if you edit one layout the text will be updated in the others while maintaining the formatting unique to that layout space. This is all controlled through a series of tabs at the bottom of the screen and by using the new Synchronized Text palette (Fig. 1).
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Fig. 1
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The web authoring and export features are also very extensive. While Xpress wont supplant a program like Macromedia DreamWeaver or Adobe GoLive, it does a credible job of turning a layout into a web page. You can determine which elements on the page you want to be text or graphics, set links, generate cascading style sheets and create rollovers, image maps and cascading menus (Fig. 2). This is a boon to graphic artists already familiar with page layout software who want to be able to easily publish a page to the Web.
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Fig. 2
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Fig. 3
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Many features introduced in QuarkXpress 5 have been updated as well. The Layers are now more robust. When you lock a layer, objects on that layer cannot be selected or edited with only a few exceptions. Text will still be reflowed into linked text boxes and the Spell Checker will catch errors on locked layers. Layers can also be set to suppress printout, which is great if you need to have template or other objects for reference that you dont want in the final output. The visual cue to indicate which layer an object is on is clumsier than it should be for a program of this sophistication, Xpress uses a parallelogram in the upper right corner of an objects frame in the color designated for that layer. Although you can turn these indicators off, it adds a clunkiness to the programs otherwise streamlined interface (Fig. 3).
Other new enhancements include long-needed Multiple Undo capability. For far too long Quark users have been limited to a single undo and you could only undo certain actions. The list of actions that you can undo has grown, including text linking, picture and text import and style sheets changes, and you can now undo up to 30 steps. Quark also now gives you the option of having a full-resolution preview of imported images, allowing you to more accurately position elements in a layout. And, of course, Quark continues to have the best Print dialog box of any professional graphics program (Fig. 4).